Royalty Accounting and Writer Statements for Music Publishers
In short: The Noctil Platform processes a publisher's royalty income: statements from PROs, MROs, The MLC and international societies, sub-publisher statements, DSP reports and sync licences. It matches every line to the right musical work and calculates what each writer and co-publisher is owed under their agreement. Writer statements come from the same system that holds the publisher's works, shares, rights and contracts. Its extensible architecture adapts as deals and workflows change, multi-level accounting supports each division or sub-publisher, and writers see their statements through a transparent portal.
From society statement to writer statement, in one connected platform. For music publishers, publishing administrators and sub-publishers processing royalty income from societies, DSPs, sync and other sources, and paying songwriters, composers and co-publishers.
The Situation
Music publishers represent songwriters and composers, often alongside co-publishers and administrators, each on agreements that set how every type of income is shared.
That income arrives as royalty statements from many sources: performing and mechanical rights organizations, The MLC, international societies (directly or through sub-publishers), DSPs under direct licences, and sync and print licensees. Publishers must process each statement, attribute the income to the right works, calculate each writer’s and co-publisher’s share under their agreement, and issue writer statements.
The Problem
Publishing royalty processing is one of the most complex back-office tasks in music:
- Many statement formats. Each society, sub-publisher and DSP reports in its own layout, including CISAC CRD files, society-specific formats and spreadsheets, each on its own schedule.
- Lines that don’t match works. Statement lines often carry a title, a performer and a society work code, but no ISWC. Unmatched lines mean income sits in suspense or is never claimed.
- Complex agreement terms. Splits differ by income type (performance, mechanical, sync, print, digital) and territory, on a receipts or at-source basis, with advances, recoupment and co-publishing shares to apply.
- Co-written works. Each work can have several writers on different agreements, so income has to be split under each writer’s own terms.
- Rigid packaged software. Off-the-shelf royalty tools suit smaller publishers. As a catalog grows and deals change, fixed products struggle to keep up.
- Isolated from the rest of the business. Royalty tools often sit apart from the publisher’s works, shares, registrations and contracts, so data is re-keyed and reconciled by hand.
- Writer trust. Songwriters expect clear, timely and transparent statements. Slow or opaque reporting damages relationships.
The Solution
The Noctil Platform brings royalty processing and writer statements together with the publisher’s works, shares, rights and contracts.
- Statement ingestion with DataFort. Royalty statements from PROs, MROs, The MLC, international societies, sub-publishers, DSPs and licensees are ingested in their native formats, including CISAC CRD, and normalized into one structure.
- Work matching with MatchIQ. Every statement line is matched to the right musical work, even without an ISWC, using titles, writers, performers, society work codes and linked recordings. Unmatched income is surfaced for claiming.
- Agreement-based calculation. Each line is calculated against the governing agreement: splits by income type and territory, receipts or at-source basis, advances, recoupment and co-publishing shares. Each co-writer’s share is calculated under their own terms.
- Reconciliation. Income is reconciled against registrations and expected earnings by society and territory, so missing or underpaid income is easy to spot.
- Workflows with ProcessEngine. ProcessEngine runs each accounting period end to end, from ingestion through approval and statement release. Steps can be added or changed as the publisher’s processes evolve.
- Multi-level accounting. Separate ledgers and reporting for each publishing company, division or sub-publisher roll up to the group.
- Writer and partner portal with OrgLink. Songwriters, composers, co-publishers and administrators get secure accounts to view statements, drill into earnings by work and source, and download reports.
- Extensible architecture. New income sources, deal structures, calculation rules and integrations can be added without waiting for a vendor roadmap.
The Result
- One platform for works, shares, rights, contracts and royalty processing
- More income claimed, with unmatched statement lines surfaced instead of left in suspense
- Trust through transparency, with writers and partners viewing their statements in a secure portal
- Multi-level accounting for each publishing company, division and sub-publisher
- An extensible architecture that adapts quickly as the market and the organization change
Frequently Asked Questions
How do music publishers process society royalty statements?
The Noctil Platform ingests statements from PROs, MROs, The MLC, international societies and sub-publishers, matches each line to the right musical work, calculates each writer's and co-publisher's share under their agreement, and produces writer statements.
Does Noctil support CISAC CRD statements?
Yes. DataFort ingests CISAC CRD files along with society-specific formats, sub-publisher statements and DSP reports.
What happens to statement lines that don't match a work?
MatchIQ matches lines even without an ISWC. Lines that still can't be matched are surfaced for review and claiming, instead of being left in suspense.
Can it handle receipts-based and at-source deals?
Yes. Splits can be calculated on a receipts or at-source basis, by income type and territory, with advances, recoupment and co-publishing shares.
Can songwriters see their own statements?
Yes. Through OrgLink, writers, co-publishers and administrators get secure portal accounts to view statements and earnings by work and source.
How is this different from packaged royalty software?
It connects royalty processing with works, shares, registrations and contracts in one platform, and its extensible architecture adapts to new deal structures, income sources and workflows.
Who is this for?
Music publishers, publishing administrators and sub-publishers, especially larger operations whose deals and processes outgrow off-the-shelf tools.